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While ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists widespread aesthetic and political engagement with environmental conditions and processes around the globe and looking at cutting-edge theoretical, political, and cultural developments in the Global South and North Decolonizing Nature offers a significant, original contribution to the intersecting fields of art history, ecology, visual culture, geography, and environmental politics. Art historian T. J. Demos, author of Return to the Postcolony: Specters of Colonialism in Contemporary Art (2013), considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.
- Sales Rank: #88503 in Books
- Published on: 2016-10-03
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .70" w x 5.80" l, .0 pounds
- Binding: Paperback
- 200 pages
Review
Decolonizing Nature presents a timely critical analysis of the parameters and limitations of philosophical, artistic, and curatorial models responding to anthropogenic climate change. Rich and informative, the book makes an impassioned argument for a post-anthropocentric political ecology, in which the aesthetic realm enjoins with Indigenous philosophies and environmental activism to challenge the neoliberal corporate-state complex. It invites us to confront tough questions on how we might collectively reimagine and realize environmental justice for humans and nonhumans alike. --Jean Fisher, Emeritus Professor in Fine Art and Transcultural Studies, Middlesex University
Astute and ambitious. Essential reading for anyone interested in the arts, activism, and environmental change. Demos moves with impressive ease across national boundaries, cultural forms, social movements, and ecological theories. --Rob Nixon, Currie C. and Thomas A. Barron Family Professor in Humanities and the Environment, Princeton University
Demos breaks new ground in art criticism. In an expansive analysis of polyvocal artist-activist practices in the Global South and the North, Demos eschews environmental catastrophism, scientific determinism, and techno-fixes to highlight collaborative resistance to neocolonial violence and neoliberal collusion-to-plunder. He is also searching for what the path forward might be. Rigorous, accessible, and rebellious, Decolonizing Nature is an inspiring and indispensible contemporary art manifesto. --Subhankar Banerjee, Lannan Chair of Land Arts of the American West and Professor of Art and Ecology, University of New Mexico
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