Sabtu, 29 November 2014

[U307.Ebook] Ebook Download Power and Powerlessness: Quiescence & Rebellion in an Appalachian Valley [Paperback], by John Gaventa (Author)

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Power and Powerlessness: Quiescence & Rebellion in an Appalachian Valley [Paperback], by John Gaventa (Author)

  • Published on: 1982
  • Binding: Unknown Binding

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[J102.Ebook] Download Ebook King Lear (The Annotated Shakespeare), by William Shakespeare

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King Lear (The Annotated Shakespeare), by William Shakespeare

King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear’s failure as a father engulfs himself and his world in turmoil and tragedy.

  • Sales Rank: #647789 in Books
  • Published on: 2007-05-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x .80" w x 5.00" l, .45 pounds
  • Binding: Paperback
  • 215 pages

About the Author
Burton Raffel is Distinguished Professor of Arts and Humanities Emeritus and professor of English emeritus, University of Louisiana at Lafayette. The most recent of his many� publications is Selected Poems by Nicolas Boileau, published by Yale University Press. He lives in Lafayette. Harold Bloom, Sterling Professor of the�Humanities at Yale University, is the author of many books, including The Western Canon, Shakespeare: The Invention of the Human, and Jesus and Yahweh: The Names Divine.

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27 of 27 people found the following review helpful.
FOLGER Shakespeare Library Edition of the Tragedy of King Lear BETTER THAN EXPECTED!
By Love Thy Enemy
I have reviewed several current editions of King Lear and other Shakespearean plays, and was somewhat disappointed in the Folger edition of King Richard III. Nevertheless, the Folger Shakespeare Library edition of King Lear appears to be both accessible and scholarly, with solid reasoning behind its balance of the First Quarto with the First Folio versions of this intense and telling tragedy which we do well to revisit now.

My first love will always be Prof. Tucker Brook's redaction in the The Tragedy Of King Lear (The Yale Shakespeare) which against the academic preferences of the time chose the First Quarto over the First Folio. The reasons given by the Late Prof. are compelling, and brought about a generation of conflated editions which combined the two versions. The Quarto came first in publication, of course, and is longer; the Folio is later and does not contain several lines present in the Quarto (I believe about three hundred) yet introduces several (perhaps one hundred) of its own.

And so we have a generation of productions which sought to combine the two. For instance we have an early recording of Paul Scofield as the King using a conflated edition and a later recording from his eighties in which only the Folio is used: King Lear (Naxos AudioBooks), following as it states the The Tragedy of King Lear (The New Cambridge Shakespeare), a strictly First Folio presentation. The greatest available recording is of course the Branagh - Gielgud production King Lear (BBC Radio Presents) which must be purchased and repeatedly heard, as it is real. Be certain to get the accompanying brochure.

Be that as it may, with this brief description of the history of this tortured text, let me state this present edition from Folger presents solid reasons for its always arbitrary choices. While stating their preference for the First Folio edition, they actually publish here a conflated version, with variant readings in a variety of brackets and poiinted parentheses, with explanations. They have produced therefore something here of great value, yet at a small price and therefore accessible to any classroom, production company or reader.

As usual the Folger diverges from the usual Critical Edition format of a third of a page of text, a strip of variorum and a third of a page of notes to the text above. Folger correctly fids more readable a diptych approach. In opening the book to the play, the reader discovers on the right hand page the text and on the left hand page notes. Further specific notes are discovered in the back.

In short (if it is not too late to write that) this book may approach any other critical edition, and passes many (let us not mention the unfortunate Joe Pearce's attempt). It presents a thorough examination of Shakespeare's life and theatre, suggestions on reading "his" language, and on reading Lear, this great tragedy for our times. A critical essay by Susan Snyder is included in the back, as well as suggestions for further readings. I find this edition in brief very useful for any new scholar of Lear, and I only wish I could now afford the new King Lear: New Critical Essays (Shakespeare Criticism), or even Critical Essays on Shakespeare's King Lear (Critical Essays on British Literature), and the rest.

0 of 0 people found the following review helpful.
would not recommend shakespeare on kindle unless you are already very familiar ...
By Beatriz
I never studied this one in school. I need the notes on the opposite page explaining the elizabethan terms, otherwise it is hard to follow. would not recommend shakespeare on kindle unless you are already very familiar with the play or pretty expert in language of that time period.

0 of 0 people found the following review helpful.
Kindle version not annotated.
By Inamorato
Despite the title, the Kindle edition is not annotated.

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Rabu, 19 November 2014

[E291.Ebook] Ebook Free The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque WorkshopFrom University of Georgia Press

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The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque WorkshopFrom University of Georgia Press

In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process.

The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution.

With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.

  • Sales Rank: #6058413 in Books
  • Published on: 2016-03-15
  • Released on: 2016-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .58" w x 5.98" l, .83 pounds
  • Binding: Paperback
  • 256 pages

Review
What emerges from these essays is a sharperunderstanding of the complex and shifting balance between the mental and themanual in a work of art in a time when collaboration with pupils, assistants,or independent masters was an accepted part of the artistic process. . . . Itis simply a book that all art historians should read and one from which allscholars of the early modern period will benefit. (Katherine A. McIver Sixteenth Century Journal)

From the Back Cover
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement. This new perspective accords greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, say the contributors, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art. Such an admission will open new avenues of study and enhance our understanding of the complex connections between invention and execution.

About the Author
Andrew Ladis (1949-2007) was the Franklin Professor of Art History at the University of Georgia's Lamar Dodd School of Art and a specialist on early Italian painting. Carolyn Wood is the university educator at the Ackland Art Museum, University of North Carolina, and a specialist on seventeenth-century Italian painting. William U. Eiland is the director of the Georgia Museum of Art.

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[N148.Ebook] Ebook Download Feminist Challenges: Social and Political Theory (Routledge Revivals)From Brand: Routledge

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In Feminist Challenges,�first published in 1987,�new and established scholars demonstrate the application of feminism in a range of academic disciplines including history, philosophy, politics, and sociology. As Carole Pateman notes in her introduction, ‘all the contributors raise some extremely far-reaching questions about the conventional assumptions and methods of contemporary social and political inquiry.’

  • Sales Rank: #9872754 in Books
  • Brand: Brand: Routledge
  • Published on: 2013-04-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.75" w x .75" l, .95 pounds
  • Binding: Hardcover
  • 228 pages
Features
  • Used Book in Good Condition

About the Author
Carole Pateman is Professor of Political Science at UCLA and Honorary Professor in the School of European Studies at Cardiff University. Her publications include Participation and Democratic Theory (1970), The Problem of Political Obligation, 2nd edition (1985), and The Sexual Contract (1988).

Elizabeth Grosz is the Julian Park Chair in Humanities at the State University of New York at Buffalo.

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Selasa, 11 November 2014

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Art Cloth: A Guide to Surface Design for Fabric, by Jane Dunnewold

When Jane Dunnewold's book Complex Cloth was published in 1996, it quickly became the bible of surface design for fiber artists. In the years since, the world of surface design has significantly expanded: now fiber artists, art-to-wear designers, and art quilters have a much broader range of surface design products to choose from, and there are a wealth of technique combinations that can be used to create art cloth.

Art Cloth picks up where Complex Cloth left off, showing how to layer processes with the latest products to create stunning cloth for use in a variety of fiber art. Following Jane's techniques with step-by-step photography, you will learn to create art cloth using dyes, color removing agents, paints, and foils combined through processes that include silk-screen printing, stamping, stenciling, and handpainting.

In addition to detailed step-by-step wet-media surface design techniques, Jane demonstrates how the use of color and design contribute to successful layering. She guides and inspires artists to take their art cloth to the next level through sidebars with design tips and exercises that support the technical information.

Finally, each technique chapter concludes with project ideas for the skills learned, so anyone working through the book can literally build layers on cloth as each chapter is completed.

  • Sales Rank: #361259 in Books
  • Brand: F&W Media
  • Published on: 2010-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 8.25" w x .75" l, 1.45 pounds
  • Binding: Paperback
  • 176 pages
Features
  • IP-81958
  • 9781596681958
  • Brand New Item / Unopened Product
  • Interweave Press

Review

"Taken as a whole, Art Cloth is more than just a how-to manual for anyone who has entertained the idea of working with fabric and creating their designs and patterns--it's interesting, instructional, and inspiring. Whether you're an experienced textile artist or simply love fabric, Art Cloth is a definite must-have and a welcomed addition to workrooms and bookshelves." - Hand/Eye Magazine

"Few artists have had the far-reaching and influential impact on the fiber art world as Jane Dunnewold. This new book by Jane will most assuredly follow in the footsteps of Complex Cloth as the surface design bible for any artist working with cloth and belongs on every surface design artists and enthusiasts' book shelf." - Sue Bleiweiss, fiber artist

"I find that Art Cloth A guide to Surface Design for Fabric by: Jane Dunnewold, to be a wonderful asset for any Textile Artist or avid Quilter that wants to take their projects to the next level." - Bukisa.com

"She gives us the tools, permission, and encouragement to explore the making of art cloth for our own reasons, in our own unique way, to create our own unduplicatable style." - Craftgossip.com

"This is such a useful craft book format! A reference book I can use to enliven all kinds of other crafts." - Craftypod.com

"Whether you are a beginner or an advanced fiber artist, this book will inspire you as you work your way through 176 pages and 500 photographs." - Debbieoverton.com

"This book is perfect for fibre artists, art-to-wear designers and art quilters of all skill levels, and you will find the inspiration to integrate rich textures, colours and patterns into each piece you create." - Fabrications

"It's interesting, instructional, and inspiring. Whether you're an experienced textile artist or simply love fabric, Art Cloth is a definite must-have and a welcomed addition to workrooms and bookshelves." - Hand/Eye Magazine

About the Author
Jane Dunnewold has been an influential textile artist for over 20 years and is the author of Complex Cloth: A Comprehensive Guide to Surface Design (Martingale, 1996). She co-authored Finding Your Own Visual Language (2007) and Paper and Metal Leaf Lamination (2008). Jane teaches and exhibits widely and was awarded the Quilt Japan Prize in the 2002 Visions exhibition, and the Gold Prize, at the Taegue International Textile Exhibition. She is past President of the Surface Design Association & maintains Jane Dunnewold Studios in San Antonio, Texas. Additional information and exhibition history can be found at complexcloth.com. Sign up for the newsletter!

Most helpful customer reviews

110 of 113 people found the following review helpful.
Good Reference Book
By HuskerFan
As collector of an extensive reference library of books on surface design and as an artist fairly experienced in that art, I purchased this book. I own Complex Cloth by the same author, as well as her Complex Cloth dvd's, her book and dvd on screen printing, and the Visual Language book. So I have some background with the author's products. I purchased with the idea that Art Cloth would be a step beyond Complex Cloth, but I don't really see it that way after reading it. It's more like a half-step beyond. I found this book good, but not outstanding, as Complex Cloth is, or as Visual Language is. I think beginners will be better served by Complex Cloth or other books by various authors.

For the experienced artist, this book is fine, but not a lot new to most of us. It's a GOOD BOOK. Some of the photos are redundant or unnecessary: a step-by-step series of how to pour print paste into a cup, add a tsp of soda ash and a tsp or dye powder and stir - really? Is there someone who can't figure that out without 4 photos? I'm also not in high need of a half-dozen photos of a bead of product on a silkscreen, or a shot of scrubbing a stamp with a toothbrush. The disappointing part, for me, was that in some places there are pre-process or prep photos without follow-through on the finished product. I would also like to have seen a gallery of art cloth in the book, but there is none. Where shown, finished products are detail shots primarily, not providing scale or measurements. We have no idea if the photo is a shot of a 6" swatch, or a 3' section, so the connection to the directions is lost. It's probably a personal thing, and doesn't really affect the use of the book overall, but for me, is the difference between 3 stars and 5. I'm not sorry I bought it, because it's part of my collection now, but it definitely has needs that aren't addressed.

71 of 72 people found the following review helpful.
Belongs on every fiber artists bookshelf!
By Sue B
Few artists have had the far reaching and influential impact on the fiber art world as Jane Dunnewold. Her book "Complex Cloth" is considered the must have bible for fiber artists. Since the release of that book, the art of surface design has exploded with new products, techniques and fabrics to work with and combine to create what Jane calls "art cloth". Cloth with layers of color, texture, imagery rich with the imagination of the fiber artist who creates it.

The book opens with the fundamentals reviewing the work space, materials and an overview of the layer building process and then moves into the actual techniques and processes for creating a piece of art cloth. Techniques covered include starting with adding color and covers fiber-reactive dyes and textile paints which is followed by discharge methods. Learn how to create your own stamps and stencils, work with water based resists, methods for screenprinting and how to use foiling and leafing to add depth, brilliance and textural interest to your cloth. Novices to surface design will find it easy to achieve success with each technique with Jane's clearly written and easy to understand directions of each technique and process. Experienced fiber artists may not find anything new to them in this book but will surely benefit from being able to learn how a master surface designer uses them. This new book by Jane will most assuredly follow in the footsteps of Complex Cloth as the surface design bible for any artist working with cloth and belongs on every surface design artists and enthusiasts book shelf no matter what their experience level is.

51 of 52 people found the following review helpful.
If You Could Have Only One...
By Catherine Bargar
If you were faced with the dreaded "only one" question for a comprehensive book on mastering the processes of making complex cloth, this would be IT.(See Su Bleiweiss' review for a description of what "art cloth" or "complex cloth" is.)

This is a truly marvelous book. It is gorgeous,of course, with just enough beautifully-done photos of Jane Dunnewold's and others' pieces of complex art fabric to inspire but not so many as to overwhelm or intimidate It is well-written, and extensive beyond anything else available. Each process (dyeing,discharging,stamping & stenciling,resists (both water-based and bound), and screenprinting - plus metallic foiling & leafing)) is laid out, in an extremely clearly-written text. It is written so that you could start at the beginning and work through all the processes in order - and if you did all that, I imagine you would end up very highly-skilled indeed!

Probably most fabric artists have some level of mastery of most of the processes in the new Art Cloth: A Guide to Surface Design for Fabric, and have dozens of books covering the various techniques. I know I certainly do - and Jane Dunnewold's earlier book, Complex Cloth, has previously been my best guide. It looks to me that with the publication of this new book, Art Cloth is now THE book to have, if you could only have one - it's certainly the one I will keep closest at hand.

In addition to the various techniques, Jane talks about the process of creating meaningful layered cloth, and about the profound importance of "making" itself It's not just a "step 1, step 2" process (although the steps are all there, very clearly put forth), but a very personal & soulful journey. One of the things I love about Jane's work is the way she layers into her cloth words, phrases, and symbols that are meaningful to her - but these phrases are obscured, like the scenery in a deep fog: you may catch only a whisper or a hint of them, or maybe none at all beyond the impression of a letter or two, but the meaning is a deep part of the piece, the part that gives it life and soul. I think of these mostly-secret messages as prayers laid into each layer of the work. More importantly, though, it remains very clear that this book will be about YOUR work, YOUR journey, YOUR mastery and application of the outlined techniques - Jane's work is about Jane's vision, and YOUR work will be about your own.

If you haven't already ordered it, you should do so immediately (no affiliation, just a grateful learner!). Whether you are a total beginner or an advanced fiber artist, this book will inspire and support your journey of exploration. It would be worth the price even if you only wanted to look at the pictures - but there is so much more in these pages!

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Selasa, 04 November 2014

[S175.Ebook] Free PDF Human Bacon: A Man's Guide to Creating an Awesome Personal Brand, by Justin Foster

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Human Bacon: A Man's Guide to Creating an Awesome Personal Brand, by Justin Foster

Human Bacon: A Man's Guide to Creating an Awesome Personal Brand, by Justin Foster



Human Bacon: A Man's Guide to Creating an Awesome Personal Brand, by Justin Foster

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Human Bacon: A Man's Guide to Creating an Awesome Personal Brand, by Justin Foster

In Justin's first book "Oatmeal v Bacon: How to Differentiate in a Generic World," he established the ultimate branding metaphor: bacon is interesting and oatmeal is boring. In "Human Bacon," he applies the Bacon principle to personal brands -- identifying seven specific traits that are common with interesting, connected, and respected people. While directed at men over 40, the elements of "Human Bacon" are universal for anyone interested in being awesome, satisfied, and successful. Blending experiences of his personal journey with practical tools and exercises, Justin provides an outline for finding your talent, being authentic, embracing technology, communicating effectively, becoming an influencer, managing first impressions, and having a life-long youthful mindset.

Whether you are just starting your career, are seeking that next promotion, or are self-employed, "Human Bacon" contains the thinking and tools for discovering and developing what makes you BACON. The result? A respected personal brand, a great reputation, and a legacy of awesomeness.

"Human Bacon" is a North American Book Awards winner.

  • Sales Rank: #805182 in eBooks
  • Published on: 2014-06-19
  • Released on: 2014-06-19
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Bite sized awesomeness.
By Tac Anderson
This is not your typical business book. I used to read a lot of business books. But after a while I got tired of them. Most of them say basically the same things, use most of the same worn out statements (using different "clever" analogies) frequently use the same examples, but rarely give you actionable advice. And every business book is 100-200 pages too long. The only reason business books are as long as they are is because that's the length publishers can charge the most money for. It has nothing to do with the value of the content inside.

Justin's books are short and packed with value. You can read Human Bacon in a few hours, yet spend days or weeks working through the assessments and guides in the book.

I enjoyed Justin's first book, Oatmeal vs Bacon, but this second book demonstrates a business author and speaker coming into his own. If you're a Gen X guy, you need to read this book. If you know a Gen X guy, you should buy this book for them. Even if you're not a guy, or part of Gen X, but needing a personal branding refresh, this is an excellent read.

1 of 1 people found the following review helpful.
Another great book of insights
By Ron Price
Justin has done it again. He disrupted our thinking about branding in "Oatmeal vs Bacon: How to Differentiate Yourself in a Generic World". Now he is giving humorous and valuable insights to men about how to be awesome in the workplace. You won't be able to read this without laughing as well as making notes about things to change (including your wardrobe!) Great job!

0 of 0 people found the following review helpful.
It all starts with the title
By Brian Rensing
Justin Foster rightly asks "If we aren't supposed to judge a book by its cover, then why do they have covers?". There is a lot of talk about persona branding out there and lots of advice - good, bad, and meh. Foster uses a conversational style to lay out the basics of what personal branding is about.

It doesn't matter who you are or what life stage you are in (though Foster recommends this particularly for Gen-X men), you will find accessible and practical advice in Human Bacon. And you will find that a little attention on the "cover" as well as the guts is well worth the investment in your brand.

After setting the stage of what a personal brand is and what are the things that traditionally stand in your way, Foster outlines key determinants of your personal brand in Talent, Style, Communication, Authenticity, Influence, Technology, and Youthfulness. He strips away some of the nonsense behaviors and thinking in each of these areas to get at the core of what each of these is about.

And make no mistake, if you want to ride your talent, that's great - but recognize you are missing the boat in the other areas. If you aren't sure what that means, you really need to pick up this book. Lay off the video games for about an hour and get through this book. And take advantage of the calls to action Foster includes in the book - they will help you bring to life personal branding concepts in a very tangible and sustainable way.

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